• Design and Digital Art
  • City of Cambridge — Community Development Department
  • Act II
  • Race and Community Art on the US Mexico Border
  • Share a Meal
  • Additional Projects
  • Projects and Installations
  • What Feels Like Forever
  • That's Just The Way Things Are
  • Period Pop
  • A Case for Acceptance
  • The History of Etta's
  • Source
  • Foothill Falls
  • Untitled (mental)
  • Sickhome
  • Ongoing Emergency Reporter (Protoype)
  • Belonging Deep Down Inside Is Longing
  • Banned
  • I'm Afraid to Ask Anything Of You
  • A Four-Year-Old's Fever Dream
  • 10.20 Waste Log
  • This Is How I'd Like to Feel
  • Just Breaking the Laws of Reality with the Abundance
  • The Junk Closet
  • Portal
  • Selected Works
  • Fiber Crafts
  • Printmaking and Painting
  • Commissions
  • About
  • Artist Statement
  • Contact
Kay Ingulli
  • Design and Digital Art
  • City of Cambridge — Community Development Department
  • Act II
  • Race and Community Art on the US Mexico Border
  • Share a Meal
  • Additional Projects
  • Projects and Installations
  • What Feels Like Forever
  • That's Just The Way Things Are
  • Period Pop
  • A Case for Acceptance
  • The History of Etta's
  • Source
  • Foothill Falls
  • Untitled (mental)
  • Sickhome
  • Ongoing Emergency Reporter (Protoype)
  • Belonging Deep Down Inside Is Longing
  • Banned
  • I'm Afraid to Ask Anything Of You
  • A Four-Year-Old's Fever Dream
  • 10.20 Waste Log
  • This Is How I'd Like to Feel
  • Just Breaking the Laws of Reality with the Abundance
  • The Junk Closet
  • Portal
  • Selected Works
  • Fiber Crafts
  • Printmaking and Painting
  • Commissions
  • About
  • Artist Statement
  • Contact

Commissions

2022, Carps in the Mud, drypoint etching and digital collage, album art for Carps in the Mud by Josh Valeri.

2020, My Imaginary Friend, drypoint etching and watercolor, album cover for the single My Imaginary Friend by Emma Anisman.

2019, Milford, oil painting on canvas.

↑Back to Top
Powered by Adobe Portfolio